Paraphrases are a sticky wicket and they are a place where many people get in trouble with plagiarism. Throwing the links about his waist, it was but the work of a few seconds to secure it. I again paused, and holding the over the mason-work, threw a few feeble rays upon the figure within. I've always enjoyed how he will surround his audience into his writings to a point of they becoming a part of the story themselves. There are several answers, not limited to what we talk about here. I laid the second tier, and the third, and the fourth; and then I heard the furious vibrations of the chain.
I had scarcely laid the first tier of my masonry when I discovered that the intoxication of Fortunato had in a great measure worn off. He had a weak point—this Fortunato—although in other regards he was a man to be respected and even feared. His is fascinating, and the subject of much debate, gossip, and speculation. The bones from the fourth wall have been thrown down on the ground. A wrong is unredressed when retribution overtakes its redresser.
Like most individuals, I too have found myself once glaring from the sidelines annoyed. In an instant he had reached the extremity of the niche, and finding his progress arrested by the rock, stood stupidly bewildered. For the half of a century no mortal has disturbed them. I looked at him in surprise. Or does he take pleasure in recounting his successful vengeance? He tells the story with no emotion, explanation or no guilt. When he wrote stories and poems, he was drinking and the health of his wife was getting worse. The earliest indication I had of this was a low moaning cry from the depth of the recess.
Evil, be thou my good. You want your reader to be able to easily match the two up. The listener says nothing but remains all attention. When they met, they proceeded to walk into fields or woods, where they would duel. The story is set primarily in the Montresor family catacombs, which provides the dark setting, filled with human remains, and this reflects where Montresor commits his crime, where no one will expect. He prided himself on his connoisseurship in wine. From the fourth side the bones had been thrown down, and lay promiscuously upon the earth, forming at one point a mound of some size.
But it is not only the subject matter and atmosphere of the story that achieves this effect. Your text suggests using paragraph numbers, but this is not necessary. In some ways, we read and watch horror for the same reason: our own lives often seem nice and calm after a few hours of fear. This creates a cryptic feeling throughout the story that forces the reader to question everything Montresor has claimed to be true. I must not only punish but punish with. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation. On the other hand, his wearing of the heavy knee-length coat called the roquelaire is upto-date, since it was at the height of fashion in the 1730s and 1740s.
It is also clear that Montresor desires to enhance himself with the listener. The story cannot have taken place after the that began in 1789, for Montresor, who sports a rapier in Poe's tale, would not have possessed the privilege of wearing a sword after the Revolution. Finally, the actions of Montresor as he constructs the final wall of the tombas well as his telling of all the gruesome details of the storyleads one to believe that he shows no remorse for his past crime. Unsheathing my rapier, I began to grope with it about the recess; but the thought of an instant reassured me. It was in vain that Fortunato, uplifting his dull torch, endeavored to pry into the depths of the recess. Without a logical conclusion or motive for the main action, the reader begins to question whether or not they are themselves trapped in ironies and being led through a tangled catacomb just as Fortunato is, with nothing but dead ends without answers waiting for them. Once more let me implore you to return.
Just plug in the correct author, title and page range. Withdrawing the key I stepped back from the recess. The dialogue is so arranged as to suggest the basic maneuvers of swordplay: the attacker lunges and thrusts; the defender parries and counterparries. That is why the first thing that appears in the citation on the works cited page is the thing goes in the parenthetical citation. I was so pleased to see him that I thought I should never have done wringing his hand. I had completed the eighth, the ninth, and the tenth tier.
I struggled with its weight; I placed it partially in its destined position. Although this story was written decades after the popularity of the genre, The gothic genre through its descriptions of the atmosphere as well as its use of grotesque and macabre imagery creates a sense of alienation, chaos, entrapment, uncertainty, and terror in the reader. The noise lasted for several minutes, during which, that I might hearken to it with the more satisfaction, I ceased my labors and sat down upon the bones. He leaned upon it heavily. In the stratified society of the ancien régime in France, honor coincided with social status, as did justice and the mode of punishment. Montresor is the Count of Montresor. We had passed through walls of piled bones, with casks and puncheons intermingling, into the inmost recesses of the catacombs.
Instead, he accepts wine as the antidote to his cough. Fortunato prided himself in being a connoisseur of fine wines. The telling, therefore, must have taken place in 1787 or 1788. Montresor does not recognize this hand signal, though he claims that he is a Mason. My heart grew sick—on account of the dampness of the catacombs.
It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong. But the undescribed original wrong, and the narrator's frantic effort to get Fortunato to react in some way as he walls him into a living tomb, raises questions about the narrator's motives, and whether there was even an original wrong in the first place. For the most part their enthusiasm is adopted to suit the time and opportunity—to practise imposture upon the British and Austrian millionaires. The dialogue amounts to a duel with words, which is unusual since Poe rarely depended much on dialogue in constructing his stories. Indeed it is very damp.